Literary terms
Terms of literary analysis
| created: | 6 months ago by wooob | tags: | english litterature analysis |
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Alienation |
from Marxism, suggests that under Capitalism we live estranged from our true human natures |
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Allegory |
a story of some complexity that corresponds to another situation on a deeper level, a dual perspective giving...(e.g. interest and wit) |
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Alliteration |
repetition of an identical consonant sound at the beginning of stressed words, usually close together - look at the effet it creates... (e.g. draw together unlike ideas for contrast, suggest meaning through the sound effect, link similar things for emphas |
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Allusion |
a reference to an event, person, place, work of literature etc. that gives additional layers of meaning to a text or enlarges its frame of reference |
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Ambiguity |
where language and tone are (usually deliberately) unclear and may have two or more interpretatins or meanins |
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Ambivalence |
where the writer's attitude to, e.g., a character or event is not clear-cut, but may seem to hold at least two responses |
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Antithesis |
contrasting ideas by balancing words of opposite meaning and idea |
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Apostrophe |
an exclamatory passage where the speaker or writer breaks off in the flow of a narrative or poem to address a dead or absent person, a particular audience, or object (often personified) |
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Assonance |
repetition of similar vowel sounds close to one another - can create atmosphere in descriptive poetry |
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Atmosphere |
often confused with 'mood', it refers specifically to place, a setting, or surroundings |
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Bathos |
a sudden descent from the sublime or serious, to the ridiculous or trivial |
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Bildungsroman |
German term for a novel focusing on the development of a character from youth to maturity |
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Blank verse |
unrhymed poetry not broken into stanzas, keeping to a strict pattern in each line, usually in iambic pentameter - clost to the rhythm of speech |
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Caesura |
a break or pause within a line of poetry by comma or full stop or unmarked pause, used for emphasis, or to change direction or pace |
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Caricature |
an exaggerated representation of a character often by emphasising a small number of features, usualy for comic or satiric purposes |
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Colloquial |
everyday speech and language as opposed to literary or formal register - the inclusion of the odd colloquial word or phrase in an otherwise formal work can be striking |
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Conceit |
a witty thought or idea or image, a fanciful or deliberately far-fetched comparison, as found in 16th and 17th century English poetry |
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Concrete |
refers to objects or aspects that may be percieved by the senses |
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Connotation |
an association that a word may suggest |
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Consonance |
where the final consonants are the same in two or more words close together |
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Couplet (rhyming couplet) |
two consecutive rhyming lines of verse - may clinch or emphasise an idea |
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Defamiliarization |
the technique of making the familiar seem new and strange, and thus making us see more vividly - may be done through point of view |
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Denouement |
how the ending of of a novel or play turns out, how the plot is unravelled or revealed - literally, from the French, 'unknotting' |
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Diction |
the writer's choice of words or vocabulary |
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Didactic |
describes the tone or intention to preach a (usually) moral, political or religious point - usually has a negative connotation |
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Dramatic irony |
tool especially in drama, used for tragic or comic purposes - where a character(s) is/are unaware of somethign that the audience/reader and possibly other characters on stage are away of |
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Elegy |
a mournful lament for times past or the dead - has particular poetic from but can be used more generally - 'elegiac' describes a meditative mood in prose or vers, reflecting on the past |
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End-stopped line |
a line of poetry where the meaning pauses or stops at the end of the line - a statement or idea can stand out clearly, and provide a pause for reflection |
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Enjambement |
the opposite of end-stopped line, the sense flows over from one line to another, perhaps even to the next stanza - can reflect a build-up of emotion or create dramatic effect |
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Epigram |
a concise, pointed, witty statement - epigrammatic' style in prose or poetry |
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Form |
the shape of a work, the arrangement of its parts, the patterns, divisions and structures used - in poetry, there are traditional, metrical and rhyming 'forms' (ode, ballad, sonnet etc.) and modern, non-metrical forms |
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Free verse |
verse written without any fixed or traditional structure in metre or rhyme - very flexible because it follows the speech rhythms of the language |
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Genre |
a specific type or kind of literature, such as drama, prose, poetry, essay, autobiography |
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Grain |
a reader can go acceptingly along wih assumptions and values in a text, or go 'against the grain', resisting and questioning values and assumptions in that text - also apply to other situations... |
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Hyperbole |
a deliberate exaggeration for various effects, comic, tragic, etc. |
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Iambic |
'iamb' is a metrical measure, or foot, in which an unstressed sullable is followed by a stressed syllable - iambic pentameter (five iambs in a line) is the commonest metrical pattern in English poetry - tetrameter (four-iamb line) |
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Idyll/idyllic |
refers to innocent simple life in idealised rural setting |
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Imagery |
concrete descriptions (images) we can see and sense in works of literature |
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Internal rhyme |
where there are rhymes within a line instead of, or as well as, at the ends of lines |
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Irony |
a gap or mismatch between what is being said, and what is intended, perhaps between the way a character or group sees him/her/itself, and the way the author wishes us to see him/her/it - exposes hypocrisies and lack of awareness |
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Lyric |
originally a song performed to a lyre (early harp) - now a sonlike poem expressing personal feeling - prose can be lyrical too, expressive of feelings |
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Metaphor |
a comparison of two things without using a comparing word such as 'like' - to see a striking similarity between to normally unlike things can be an indicator of originiality - it provides richness of sensation and meaning - comparison may be implied rathe |
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Metre |
the organisationg of lines of verse into regular patterns of stressed and unstressed syllables to achieve a rhythmic effect |
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Mimesis |
describes an interesting and common effect: the use of words that suggest movement, shape, size, texture (smooth, rough, soft) |
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Mood |
refers to people, describes a person's (a character's or the narrator's) frame of mind or state of feeling - may also indicate the emotional response the author hopes to evoke in the mind of the reader |
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Monologue |
speech, usually of some length, by a single speaker - a 'dramatic monologue' has a listener present and reveals the character of the speaker in a striking way |
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Motif |
recurrent elements (images, ideas) in a work - not as significant as themes but have a cumulative effect like a refrain and can assume symbolic importance |
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Omniscient Narrator |
'all-knowing', describing one who stands outside and can see into all characters and happenings |
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Onomatopoeia |
effect of words that imitate the sound of things |
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Oxymoron |
where two words of opposite meaning are joined - can suggest something quite complex or provocative |
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Paradox |
seemingly contradictory statement, but on reflection, it makes sense, contains its own resolution or truth |
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Parody |
usually comic imitation of another work |
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Pastiche |
a literary work composed in the style of a well-known author |
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Persona |
the identity or character assumed by the author in a work of literature |
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Personification |
where the human feelings or sensations are attributed to an inanimate object - human qualitites may also be given to abstract ideas |
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Plot |
the events of a narrative in the order the author has chosen to present them - chronology may be distorted for particular effects, as in flashbacks or flash forwards; e.g. a novel may begin with the ending of the story |
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Point of view |
the angle from which the narrative is seen or told - who sees? who speaks? - may shift in a work |
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Protagonist |
main character in a work |
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Quatrain |
stanza or group of four lines that can have different rhyme schemes |
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Refrain |
repetition in a work of literature of a phrase or lines |
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Rhythm |
aplies to both prose and poetry and has to do more generally with the flow of sound created by stressed and unstressed syllables (steady, irregular?) |
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Satire |
exposing and ridiculing of human follies in a society, sometimes with the aim to reform, sometimes predominantly to deflate - may be gentle, comin, biting or bitter, or a combination |
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Setting |
context in which a work of literature takes place: geographical, social, historical, generalised, conventional, symbolic etc. |
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Simile |
where the comparison is made explicit with 'as' or 'like' - make descriptions vivid and unusual |
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Skaz |
a technique of narration that mirrors oral narration with its hesitations, corrections, grammatical mistakes, interations etc. |
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Soliloquy |
a speech by a character alone on stage, thinking aloud, revealing thoughts and emotions, or communicating directly with the audience - tool for revealing psychological complexity |
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Sonnet |
a fourteen-line rhyming poem often in iambic pentameter - rhyme schemes and organisation of lines vary, depending on the type of sonnet, but often set out as a block of 8 lines (octave) or 6 lines (sestet) |
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Stanza |
blocks of lines into which a poem is organised - in traditional forms of poetry each stanza follows a scheme governing metre, lines and rhymes |
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Story |
the events of a narrative in the chronological order which they actually happened |
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Stream of consciousness |
the impression of a random stream of thoughts |
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Style |
the distinctive traits in an author's work, the 'how' of writing - concerns theme, diction (emotional, abstract, poetic), sentence structure, imagery, sound, etc. |
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Subtext |
ideas, feelings, thoughts, not dealt with directly in the text but existing underneath - plays: characters don't always express their real thoughts |
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Symbol |
objects that represent or evoke an idea or concept of wider, abstract significance |
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Syntax |
grammatical structure of words in a sentence - normal order of words can be slightly displaced to create a particular effect, without losing the sense |
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Theme |
central ideas or issues, often abstract, explored or illustrated in a text - can also refer to an argument raised or pursued in the text, like a thesis |
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Tone |
the technique of writing to convey the attitude of the writer towards his/her subject, created through aspects of language like diction, syntax, rhythm, which will suggest a 'tone of voice' - emotional meaning |
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Trochee/trochaic |
the reverse of iambic, it may be used as a contrast within an iambic line, to stress an idea |





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